A Certain Slant of Light: Regionalism and the Form of by David Marion Holman PDF
By David Marion Holman
In a undeniable Slant of sunshine, David Marion Holman examines prolific neighborhood American literatures - these of the South and the Midwest - from approximately 1832 to 1925. through targeting the function historical past performed within the imaginations of chosen writers of that interval, he seeks to respond to a perennial query: what's "midwestern" approximately midwestern literature, and what's "southern" approximately southern literature? not less than till 1910, Holman says, the fiction of the 2 areas was once characterised by means of very varied modes - romance within the South and social realism within the Midwest. For the southerner, the previous used to be the plantation, the aristocrat, and the Civil conflict. Even in writing in regards to the current, the southern author, Holman keeps, needed to confront, at once or in some way, the ghosts of the previous - ghosts that may be exorcised, vilified, or romanticized, yet by no means neglected. For the midwestern author, the earlier was once the pioneer and the settling of the frontier - a earlier of promise unfulfilled and unattained. The midwestern fable straight away glorified the typical guy because the promise of the USA and deplored him as venal and narrow-minded. by way of 1925 modernism had develop into a massive strength in American letters, offering the following new release of writers - maybe most sensible represented by means of Hemingway within the Midwest and Faulkner within the South - with new methods of confronting outdated ideologies, and those writers synthesized a few of the premises of romance and realism.
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Extra resources for A Certain Slant of Light: Regionalism and the Form of Southern and Midwestern Fiction
Certainly from World War I on, Americans from all the regions of the country have produced important and enduring fiction, but an overwhelming number of these writers have come out of the South and the Midwest: Glasgow, Faulkner, Wolfe, Tate, O'Connor, Warren, Caldwell, Welty, and Percy from the South; and midwesterners Cather, Anderson, Lewis, Fitzgerald, and Hemingway (particularly in the Nick Adams stories). That the fiction Page 17 of these two regions, until the third decade of the twentieth century, is characterized by the use of two distinct fictional modesromance in the South and social realism in the Midwestis also of great interest.
Hugh died in October of 1981. The next fall Dave accepted a position Page 4 as assistant professor of English at Texas A&M University. He also got back to work on his dissertation, which he completed that winter and defended in January, 1982. He also became engaged to be married to Jo Ella Walters, and the marriage was scheduled for May of 1984. Two weeks before, David suffered his first heart attack. The wedding was briefly delayed, but took place on June 1, 1984. That fall he moved on to become assistant professor of English at the University of Mississippi in Oxford.
The midwesterner inherits the myth of the farmer and pioneer. Like the characters of Willa Cather's My Ántonia or O. E. Rölvaag's Giants in the Earth, the midwesterner comes out of the East, the world's melting pot, looking for something better, and finds it in the land that blossoms from the sweat of his brow. Here are the true people of Carl Sandburg's The People, Yes; here is America, the bastion of democratic values, the Heartland, the home of simple, moral folk. This is the myththe Kansas of The Wizard of Oz.
A Certain Slant of Light: Regionalism and the Form of Southern and Midwestern Fiction by David Marion Holman