A Cultural History of Latin America: Literature, Music and - download pdf or read online

By Leslie Bethell

ISBN-10: 0521623278

ISBN-13: 9780521623278

ISBN-10: 0521626269

ISBN-13: 9780521626262

A Cultural heritage of Latin the US brings jointly chapters from Volumes III, IV, and X of The Cambridge heritage of Latin the US. The essays position Latin American literature, track and visible arts in historic context, from the early 19th century in the course of the overdue 20th century. themes comprise narrative fiction and poetry; indigenous literatures and tradition; the advance of song, sculpture, portray, mural paintings, and structure; and the historical past of Latin American movie. every one bankruptcy is observed by means of a bibliographical essay.

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Additional info for A Cultural History of Latin America: Literature, Music and the Visual Arts in the 19th and 20th Centuries (Cambridge History of Latin America)

Example text

Leopoldo Lugones in 1913 called it the 'Argentine national epic'. At the same time, its elegiac quality is clearly evident, for the freedom of the prairies had been increasingly circumscribed by the advance of civilization and private property since independence. Moreover, it was the gaucho, and the rural population in general, who were to suffer most directly from the wave of immigration which, when the poem was composed, was only just beginning. Hernandez' definitive expression of a gaucho nationalist mythology retrospectively re-emphasized the importance of Sarmiento's Facundo, as well as of other gauchesque poets since Hidalgo, and prepared the ground for Gutierrez's Juan Moreira (1879) and Giiiraldes's Don Segundo Sombra From the 1860s, then, the age of realism had slowly begun to dawn in Latin America.

Vicente Riva Palacio composed a series of lurid novels about the Inquisition, with titles like Calvarioj tambor (1868) or Monjaj casada, virgenj mdrtir (1868). Since Riva was such a close collaborator of Juarez, his works were nationalist, anti-Spanish and anti-clerical in orientation, with definite symptoms of a nascent desire to recuperate the indigenous past. In Mexico the dialectic between civilization and barbarism was from the beginning viewed in terms far more complex and ambiguous than in the Rio de la Plata.

Rosas, already governor of Buenos Aires province, was soon to become dictator. By that time Echeverria had published his poems Elvira 0 la novia del Plata (1832) and Los consuelos (1834), and was preparing his best-known poetic work, the narrative La cautiva (1837), about a passionate heroine who braves the dangers of the savage pampa in an effort to save her lover from bloodthirsty Indians. His real talent, however, as the remarkable and now classic novella ElMatadero (1838) shows, was for vigour and clarity in prose writing, although in his own day he was celebrated particularly 8 9 'Del uso de lo comico en Sud America', Ellniciador (Buenos Aires), no.

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A Cultural History of Latin America: Literature, Music and the Visual Arts in the 19th and 20th Centuries (Cambridge History of Latin America) by Leslie Bethell


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